Riptide

  RIPTIDE

  John Lawton is the director of over forty television programmes, author of a dozen screenplays, several children’s books and seven Inspector Troy novels. Lawton’s work has earned him comparisons to John le Carré and Alan Furst. Lawton lives in a remote hilltop village in Derbyshire.

  THE INSPECTOR TROY NOVELS

  Black Out

  Old Flames

  A Little White Death

  Riptide

  Blue Rondo

  Second Violin

  A Lily of the Field

  First published in 2001 by Weidenfeld & Nicolson, London, England

  This ebook edition published in 2012 by Grove Press UK, an imprint of Grove/Atlantic Inc.

  Copyright ©John Lawton, 2001

  The moral right of John Lawton to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act of 1988.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of the book.

  Every effort has been made to trace or contact all copyright-holders. The publishers will be pleased to make good any omissions or rectify any mistakes brought to their attention at the earliest opportunity.

  1 3 5 7 9 8 6 4 2

  A CIP record for this book is available from the British Library.

  ISBN 978 1 61185 989 8

  Printed in Great Britain

  Grove Press, UK

  Ormond House

  26–27 Boswell Street

  London

  WC1N 3JZ

  www.groveatlantic.com

  For

  Sheena McDonald

  Back from the edge

  Acknowledgements

  Cosima Dannoritzer, Iris Schewe (of the Stadtmuseum, Berlin) and Alfred Gottwaldt (of the Deutsches Technikmuseum, Berlin) who steered me around pre-war Berlin.

  Gordon Chaplin, who let me retreat to his Manhattan loft to write my novel, while he retreated to Florida and wrote this.

  Antony Harwood, my agent, once described in the Grauniad as a leather-jacketed rock’n’roller with the soul of an aesthete.’ He has long since given up the leather jacket. The rock’n’roll persists.

  John Bell, who knows really odd things about the London Underground.

  Contents

  Stilton

  § 1

  § 2

  § 3

  § 4

  § 5

  § 6

  § 7

  § 8

  § 9

  § 10

  § 11

  § 12

  § 13

  § 14

  § 15

  § 16

  § 17

  § 18

  § 19

  § 20

  § 21

  § 22

  § 23

  § 24

  § 25

  § 26

  § 27

  § 28

  § 29

  § 30

  § 31

  § 32

  § 33

  § 34

  § 35

  § 36

  § 37

  § 38

  § 39

  § 40

  § 41

  § 42

  § 43

  § 44

  § 45

  § 46

  § 47

  § 48

  § 49

  § 50

  § 51

  § 52

  § 53

  § 54

  § 55

  § 56

  § 57

  Troy

  § 58

  § 59

  § 60

  § 61

  § 62

  § 63

  § 64

  § 65

  § 66

  § 67

  § 68

  § 69

  § 70

  § 71

  § 72

  § 73

  § 74

  § 75

  § 76

  § 77

  § 78

  § 79

  § 80

  § 81

  § 82

  § 83

  § 84

  § 85

  § 86

  § 87

  § 88

  § 89

  § 90

  § 91

  § 92

  § 93

  § 94

  § 95

  § 96

  § 97

  § 98

  § 99

  § 100

  § 101

  § 102

  Historical Note

  Stilton

  § 1

  Berlin April 17th 1941

  It was an irrational moment. A surrender of logic to the perilous joy of common nonsense. When the train stopped between stations on the S-Bahn, Stahl felt exposed, fearful for his life in a way that made no sense. High on the creaking metal latticework, the train tortured the tracks and juddered to a halt. Then the lights went out and Stahl knew that there was an air raid on. Yet again the RAF had got through to a city that the Führer had told them would never see a British plane or hear the crash of a British bomb. Berlin the impregnable, some of whose citizens now trembled and wept in the darkness, packed into a swaying train, high above the streets.

  It was irrational. He was no more at risk here than on the ground. It just seemed that way – as though to be stuck on the elevated tracks like a bird on the wire made him into . . . a sitting duck. He recalled a phrase of his father’s from the last war, one every old Austrian soldier used occasionally – every old British soldier too, he was certain – ‘If it’s got your name on it . . .’ which meant that death was inevitable, and urged a grinning stoicism on those about to die.

  The raid distracted him. He had been pretending to read a newspaper. He always did when he waited for the word. Tonight he had been oddly confident that there would be word. So confident, he became worried that he would miss her. More than once he had carried the pretence into practice, and had been caught engrossed in some nonsense in the Völkischer Beobachter and all but oblivious when she had brushed past him and muttered a single sentence.

  The train moved off, the lights still out, sparks visible on the tracks below – hardly enough to make them the moving target his fellow-Berliners thought they were. At Warschauer Straße station passengers shoved and kicked till the doors banged open, a human tide surging for ground level and the shelters. The moment had passed, he was happier now in the open air and, as ever, curious about the men who dropped death on the city night after night. He stepped onto the platform, gazing into the clear, night sky hoping for a glimpse of a Blenheim or a Halifax. This was a reprisal raid. Last night – and into the small of hours of the morning – as the wireless had crowed all day, the Luftwaffe had blasted central London.

  She brushed his shoulder. So quick, so quiet he could have missed her. A dark woman in a belted, brown macintosh, almost as tall as he. He could scarcely describe her face – he didn’t think he’d ever seen her eyes.

  ‘You are in the gravest danger. Go now. Go tonight.’

  He heard his heart thump in his chest. He had expected this for so long that to hear the words uttered at last was like a body blow. The wind knocked from his lungs, his pulse doubled, a weakness in the knees that was so hackneyed a response he could scarcely believe it was happening to him.

  ‘Go now,’ she had said. ‘Go tonight.’

  ‘Leave Berlin,’ it meant, ‘leave Germany.’ And with that phrase, twelve wretched years of his life were stitched and wrapped
and over.

  A uniformed corporal grabbed him by the arm with not so much as a ‘Heil Hitler’, and pulled him towards the staircase. His cap went flying, rolling onto the tracks, the little silver skull glinting back at him in the moonlight.

  ‘It’s a big one, sir. We have to take cover.’

  Stahl knew the man. That meant he was getting sloppy. He should have known the man was there. An Abwehr clerk – a privileged pen-pusher, the sort who’d never see the front line except as punishment. Stahl could not recall his name – odd that, that he should have a hole in his memory, a memory so precise for words heard, so precise for words seen – but he let himself be manhandled, clerkhandled, into a shelter: a concrete blockhouse beneath the S-Bahn station, hastily thrown up in the winter of 1939. Throughout the false start of Czechoslovakia and the easy victories over Poland and France, the Führer had made swift provision for bomb-shelters, whilst reminding them all that they weren’t going to be bombed. It was a brave man – in Stahl’s experience, a drunken man – who pointed out the anomaly.

  Stahl was surprised. He’d never been in a street shelter before. He’d half expected satanic darkness, piss in the corner, vomit on the floor. But it was clean and only faintly malodorous. It was warm, too – the combined heat of all those bodies and the pot-bellied French stove against the back wall, looted from the Maginot Line less than a year ago, into which an enthusiastic youth, with phosphorous buttons on his jacket, was stuffing the remains of a beer crate. He stripped off his raincoat and draped it over one arm. The concrete cell was dimly lit by a ring of bulkhead lights – light enough for people to see him for what he was.

  A middle-aged man in rimless spectacles had both arms wrapped around a whimpering woman. He stared at Stahl, patted his wife gently on the back. She too turned to look at Stahl and, finding herself looking up at an SD Brigadeführer in full uniform, less hat – all black and silver and lightning – she stopped whimpering. Stahl stood shoulder to shoulder with the corporal, sharing a small room with fifty-odd strangers, and heard the murmurs of fear and reassurance dwindle almost to nothing as though he himself had silenced them. It wasn’t him. It was the uniform. It possessed a power he had never thought he had. He wore it out of choice. His job permitted him civilian dress if he saw fit: Canaris wore plain clothes, Schellenberg wore them more often than not, but the dulled imaginations of the Geheime Staatspolizei – long since abbreviated to Gestapo – favoured a ‘civilian uniform’ of trilby hats and leather greatcoats. Stahl felt better in a real uniform. In a world where all identities were false it was a plain statement. The boldness of a barefaced lie. It seemed to him far less sinister than the ubiquitous leather coat. Why the Berliners should be more scared of him in a shelter than on a train needed no thought – they were showing treasonable fear in the presence of a man whose power over them might well be life and death – and he stood between them and the door.

  When the all-clear sounded, Stahl found himself in the street with the Abwehr corporal once more. This time the man saluted. The contrived formality of a barked ‘Heil Hitler’ – contrived, Stahl knew, since there was hardly a man in the Abwehr who didn’t secretly despise Hitler, the Party and the SS. Stahl returned the salute, scarcely whispering the Heil Hitler. Perhaps he’d said it for the last time?

  The man was right. It had been a heavy raid. They’d listened to the bombs explode, felt the earth shake, for well over an hour – wave after wave of bombers, so many he’d given up the focused monotony of counting. Now the air stank of cordite, and a haze of dust hung over the city in the moonlight.

  He walked home through blitzed streets of dust and debris, almost empty of traffic – cars were abandoned at the roadside, trams did not run, people scurried like ants in all directions, directionless. Stahl turned the corner into Kopernikusstraße ten minutes later. It was deserted, almost silent. His apartment block and the one next to it had collapsed like bellows, breathed their last and died. The main staircase clung precariously to the wall where the strength of the chimney-breast had resisted the blast. He could see the top floor as clearly as if someone had pulled away the front, like the hinged facade of a doll’s house. He could see his own apartment, the floor hanging skewed, his bed with one leg resting on nothing, four floors of nothing, his mahogany wardrobe, one door open, almost tilting into the void, and his overcoat flapping on the back of the bedroom door.

  There was no sign of rescue. In the distance he could hear sirens, but he’d had to climb over piles of rubble to get this far, and as far as he could see the other end of the street was no better. It would be an hour or more before anyone, any vehicle, got through.

  He stepped into the remains of the concierge’s sitting room. The old woman sat at her piano, her forehead resting on the upturned lid, symmetrically between the candlesticks, dead. There didn’t seem to be a mark on her. What had killed her? Had her heart simply stopped at the sound of the bomb? Had she hit middle C and died? She sat in a ring of rubble but, it seemed, all of it had missed her, falling around her as though some invisible shield had guarded her body even as her spirit fled. He had liked the old woman. He had played this piano many times at her request. She had let him play simply for the pleasure of it, not caring what he played, but Stahl had seen tears in her eyes when he played Mozart. Mozart – Mozart had been the first snare. He had used Mozart to snare Heydrich. He had attracted his attention by appealing to the man’s taste, by playing Mozart and by playing upon the man’s childhood memories. Heydrich had grown up with music – his father had taught music in Dresden – he played the violin well, not as well as Stahl played the piano, but well nonetheless. It was the weak link in a man not known to have weaknesses, and Stahl had used it to work his way into Heydrich’s confidence. Not his affection. He had never seen affection for anyone in Heydrich. All the Nazis were mad – Heydrich no more nor less mad than Hitler or Himmler, but he was, Stahl thought, cleverer, more self-contained. Whatever lurked in Heydrich was well battened down. He threw no tantrums. He had his emotional outlet – music.

  When, one day in 1934, after dozens of impromptu pootlings by Stahl, Heydrich had asked him if he knew a Mozart piece for violin and piano, the A major Mannheim Sonata, Stahl knew he had hooked him. They had played the piece at least fifty times over the year – many others besides, but Heydrich always came back to the Mannheim Sonatas as his starting point as though the duets, those sparse dialogues between the violin and the piano, held a significance for him that he would not utter and of which Stahl would not ask.

  It was a pity. Stahl liked them. He’d never play any of them again now. They would be for ever associated with Heydrich in his mind and he had no wish to see a mental image of Obergruppenführer Reinhard Heydrich again. He would, almost daily, but he’d try not to.

  In the back room Stahl found the body of Erwin Hölzel. At least he assumed it was Hölzel. There was a bloody fruit pulp where the face had been. The poor bugger had been blown through from the floor above.

  Stahl looked up, past the jagged edges of floorboards, through Hölzel’s apartment, through his own, into the night sky. Then it came to him. He could scarcely believe his luck. Perhaps there was a God after all?

  He climbed carefully up the staircase, testing each tread with one foot before putting his whole weight on it. From the top floor he looked out across the street. There were half a dozen people milling about – but distractedly, unfocused, bewailing their lot and crying for the dead and missing. If he was quick he would not be seen. They were all looking down, not up.

  He clung with one hand to the steel conduit that ran the electric cable to the light switch, and with his other hand reached into the wardrobe. He tried to grab a plain, black suit and missed by inches. He lowered his grip, clung as tightly as he could, braced one foot against the wall and thrust out with his right hand. It was too sharp a movement. The floor sagged, the wardrobe wobbled. His fingers locked onto the suit. He pulled it towards him to find the whole wardrobe tilting and the suit still
attached by its hanger. He pulled again. The suit jerked free and the balance of the wardrobe shifted, tipping it into space to tumble four floors and splinter on the mound of rubble below.

  Stahl found himself clinging to the conduit, the suit flapping like a flag in his hand, all his bodyweight poised over the void. He pushed with his feet, pulled with his fingers, and regained the wall. He grabbed his coat from the door and ran down the stairs, not caring if they tumbled behind him step by step like a house of cards.

  It took a quarter of an hour or more to strip off Hölzel’s clothes and dress the corpse in his own SD uniform. Roughly, the two men were the same size. Hölzel was ten years older, but that would only have shown clearly in the face, and he had no face. With a little luck it would be days before anyone figured out that it wasn’t Stahl. He had no tattoos, no blood group written on the sole of his foot, no SS insignia on his arms. If they had any doubts when they found the body, they’d have to turn to dental records.

  He could not leave his Ausweis – or his Party membership card. They’d be the clinchers, but he’d need them to get wherever he was going. But if a body of his size and age were to be found in the remains of his apartment building, wearing an SD uniform, who wouldn’t draw the immediate, the wrong conclusion?

  Stahl stepped into the street, buttoned his overcoat. He had no hat. He wished he had a hat. A hat was an identity. He had lost one when his cap rolled on to the S-Bahn track. The black suit, the black coat, another damn disguise, seemed incomplete without a hat. Two doors down was a channel that led back towards the Frankfurter Allee. It wasn’t blocked, it was strewn with broken brick but it was passable. He picked his way along, clutching the rolled ball of Hölzel’s bloody suit, dropped the suit down an open coal chute, cut across the side streets and emerged into the Frankfurter Allee just in time to see a fire engine roar past.

  Some part of his mind, less clear than a voice, less formed or shaped than an idea, more resistible than an impulse, wanted to turn – to turn and look back. But he had promised himself when he had joined the Nationalsozialistiche deutsche Arbeiterpartei in 1929 that he never would. To look back was more than an indulgence, more than a parting whim – it was to die of pain and grief and irredeemable heartbreak.